![]() What I’m doing now is allowing me to find my voice for Hal and build that character into someone everyone will love, and then I can broaden it out. I think I’d be terrible at it, at least I would be at the moment. JA: In all honesty, part of the reason for that return is because the giant, mythological universe that Geoff and his artists helped create is super intimidating. What is the inspiration/motivation behind that decision? After reading your first issue, it’s clear that you’re bringing him back down to earth for a character focused journey. First up, since 2005, we’ve had very mythological Green Lantern stories, at least for the runs that were focused on Hal Jordan. TD: Now it’s time for a Green Lantern triple header. We’re playing a long game, and we have bigger plans for what will come out of this mini-series. It’ll have ramifications not just for Jay and his new family, but for the DC Universe as a whole. There will be space for a lot of humor, but there is also this overarching villain story that’s going to be taking place. We have a kid who’s out of time, and then you have a Dad, like me, who is probably a helicopter parent but can be one at a super fast level. There are going to be elements of that, as we are dealing with Jay, Joan, and now Judy, so there is going to be a family dynamic but it’s going to be a little more strained. Part of the way I’m approaching Jay is based on my want for it to feel different than everything going on with Wally and his family. So, I started working with the Flash family before Flashpoint: Beyond, so I just so happen to be following Geoff’s plan of attack for everything. How will your modern sensibilities and the legacies you face influence your work with an older hero like Jay? While you’ve certainly stumbled onto a similar creative pattern as Geoff with Flash and Green Lantern, getting to work on a silver age inspired Flash book is very different from that mold. Now Jeremy, you made a splash at DC when you wrote Flashpoint: Beyond alongside Geoff Johns and Tim Sheridan. You’ll know him from The Flash, Green Lantern, and soon enough, The Flash again with the upcoming New Golden Age series, Jay Garrick: The Flash. TD: And that, everybody, is the intro to my conversation with Jeremy Adams. While his body of work says so much about his love for DC, as do his words. Many people will know Jeremy from those two books, but he has also worked on Supernatural, Green Lantern the Animated Series, Battle of the Super Sons, and Flashpoint: Beyond. 4 #49, Green Lantern: Mosaic #18, and Justice League of America #110.As the second day of Philadelphia Fan Expo came to a close, our very own Tyler Davis caught up with fan-favorite writer Jeremy Adams to talk about all things Green Lantern and The Flash. Includes brand-new essays by Neal Adams, screen writers John Ridley and Geoff Johns, and the voice of GL on the JLA animated TV show, Phil LaMarĬollects Green Lantern Vol. Stewart starred in the Green Lantern series for a time and later his own series, Green Lantern: Mosaic, and was featured in other media adaptations including the beloved Justice League cartoon.įifty years following John Stewart’s debut, this collection highlights the character’s greatest moments over the decades - both space-faring and Earth-bound - from his first appearance in the legendary O’Neil/Adams Green Lantern run, to taking over from Hal Jordan as Earth’s Green Lantern, and being rechristened as the first mortal Guardian of the Universe.Īlso features work by Lein Wein, Mike Mignola, Peter Tomasi, Doug Mahnke and others. Stewart was DC’s first Black superhero, and over the years grew from a back-up player to a main character. Pin-Up & Adult –You must be 18 or olderįive decades after his first appearance, this volume collects the greatest moments of the the ground-breaking, fan-favorite black Green Lantern, John Stewart! Created by comic book legends Dennis O’Neil and Neal Adams, John Stewart changed DC’s universe.
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